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Schmied can easily be qualified as a designer because of the importance he give to the layout of the book. He worked, besides, with the designer Jean Dunand. And it's obvious that, with Schmied, the art of illustration becomes decoration : colors are substances, page setting is architecture. The typography is arranged as an harmonious structure, playing with the symmetry. Le Paradis Musulman, is deservedly considered as one his very best works.
Currently at Loliee's Bookshop, you can find, among others, Le Paradis Musulman, 1930, in-4, loose leaves, illustrated cover, with the publisher's folder and case.